-
Compositions -
by Dietrich Eichmann
in chronological order
(Parts are only available
in German)
I.fOR
VoiCE SOLO / II.FortaperecordeR (1986) 
mezzosoprano & tape, 530, text by J.Joyce
Vergessen
an Archem (Hier) I never walked the likely Finglas Ratabhachta
8 variations
for different ensembles, jazzband, tapes & electronics (1986):
001 2 bars, trp, trb, vla, vcl, 4-channel tape, 17
002 "Opened Fellows Are Fledged" bcl, trb, 2 perc, 2
vln, electr., 15
003 "Miettes lièvrales (du matin)" ensemble:
as, trp, vcl, 2 perc / jazzband: as, ts, trp, e-guit, db, dr, 13
004 "Variatio delectat" graphic score for five duets,
35
005 ts, e-guit, dr, vln, vcl, db, electr., 6
007 bars, 2 vln, vla, and 2 optional melody instruments, 330
008 4-channel tape solo, 1430
Simple Study
in Rhythm (1987)
piano solo, 640
A Foraode (1987)
jazzband: as,ts, trp, e-guit, e-bs, dr, 2040
Game and Earnest (1987/89)
16 chess board modules for computer instruments
Schnuppe (1987)
three percussionists and drumset, 6
Fünf
Klavierstücke 1987/88
piano solo late summer 87
Für A.D.
Oh.
Katzenwiegenlied
New Distinction of a Bump
piano pieces, total duration 1130
PRAE-BLUE (1988)
accordion solo & ensemble: fl, as, bsn/cbsn, trp, trb, p, perc,
vla, db, 16
Trio für Horn, Violine & Klavier (1988-89)
french horn, violin, piano, 34
frühe sammlung
einiger nacht portionen (seventh piano piece) (1989)
2 samplers, sequencer, pianist/speaker, 88
mirlitonnades (1986-90)
including some poems by Samuel Beckett
2 mezzosopranos, live-electronics & large ensemble: eb-cl, bcl/cbcl,
as, ts, 3 trb, e-guit, e-bs, acc, p/cel, 3 perc, vln, vla, 2 vcl, 2 db,
2330
1 Flöte (1991)
flute solo, 2
Junk of January 1991
percussion solo & four instrumental groups:
cl, bcl, e-guit / 4 trb / fl, as, bsn, trp, harp / 2 vln, 2 vla, 2 vcl,
db, 840
Damnation du
pouls (1991)
trb, p, 2 as, ts, bars, 15
Lied des Schweden (1992)
mezzosoprano, announcer, vln, vcl, perc, 130,
Text by F.Hölderlin
Study No.
180 (1992)
violoncello solo, 210
Study No.
362 (1992)
violoncello solo, 230
Besoin dHabitudes (1992)
violin, trombone (or cello), piano, 1220
Study No.
869 (1992)
violoncello solo, 1530
53,18 sec am 18.12.1992
piano solo, 1
Piano Quartet The Late 92 (1993)
four pianos, 2040
Rumpf (1993)
clarinet (or sopranosax) & piano, 330
Original-Rumpf (1993)
altosax, e-bass, piano, 330
Study No.
267 (Concerto) (1993)
violoncello solo & large orchestra: 3-3-3-3 / 4-3-3-0- / timp-2
perc / strings, 11
Geschlossene Anstalt
(1993)
alto-cl, trp, perc, vln & tape-performer with four tape-machines,
16
Stulle (1993)
fl, bcl, perc, vcl, db, 3
Study No.
912 (1994)
piano solo, 12
Stinkfinger-Joe
the Mass Murderer Meets Leather-Lilly in Hong Kongs Morning Twilight (1994)
clarinet, violin, piano, 17
Der Nietzsche
mit sich allein (1994)
mezzosoprano, tenor & mixed choir in four groups, 710,
text: a couple of phrases by F.Nietzsche
Study No. 403 (1994)
string quartet, 630
Outre-Meuse en bas (1994)
for six (also singing) players with: trombone, bombarde, accordion,
vibraband, and four Hybrid Instruments (constructed by Ken Butler): Shovel,
BrushAxe, HockeyGulf and CaneRackett, 20
Musique dansée (1995-96)
for orchestra: 1-0-4-2 / 2-3-3-1 / 4 perc / 1-1-2-2-2, 62
La pulsation intégrale (1995)
for orchestra: 1-0-4-2 / 2-3-3-1 / 4 perc / 1-1-2-2-2, 30
(from Musique dansée)
Vorläufig
namenlose Komposition für Flöte und Klavier (1996)
flute & piano, 40
Blasted Blazes (1997)
string trio, 12
Way Through Ratabhachta
I
(1997)
viola solo, 17
Entre deux guerres
concert for piano and ensemble (1996-99)
piano solo & 14 musicians: fl/picc, cl/bcl, bars, hr, trp, trb,
e-guit, acc, 2 perc, 2 vln, vla, vcl, 46
Study No.
508 (1999)
percussion solo, 10
Way Through Ratabhachta
IIa (2000)
trumpet solo, 1530
Way Through Ratabhachta IIb (2000/04)
trombone solo, 15’30
Way Through Ratabhachta
III (2000)
baritone saxophone solo, 14
Verdichtung
for ensemble with drums and harp (2001-02)
fl/picc, ob/c.ang, cl, bcl/cbcl, bsn/cbsn, fr.horn, trp, trb, tuba, 3 perc,
harp, el.guitar, 2 vln, vla, vcl, db, 16'
Prayer
to the Unknown Gods of the People Without Rights
for ensemble with an improvising soloist (2002, revised
version 2005)
to Peter Brφtzmann cl, bcl, alto sax, bar sax, bsn/cbsn, 2 trp, 2 trb, 4
perc, piano, 2 vln, vla, vcl, db, 30
Micro-Concerto
for Lyricon & Three Duets (2003)
vla, shakuhachi (or vln) / fl, bcl I / bcII, vcl / lyricon 6’40
Die
letzte Äußerung
des delphischen Orakels (2003-04)
(the
last uttering of Delphi’s Oracle) after a poem by Thomas Kling
3 sopranoes, 3 tenors, cl, barsax, 2 trp, trb, french horn, tuba, 2 perc,
2 vln, vla, vcl, db, 17’
Flight
for Liudas (2004)
for
Liudas Mockūnas
string quartet with improvising soprano saxophonist 12 ’
Study
No. 390 (2006)
lyricon & piano 1’40
Study No. 552 (2006)
lyricon & piano 1’00
Study No. 738 (2006)
lyricon & piano 3’00
Deutschland
wünscht sich was (2006)
electro-acoustic
music for a film by Cédric Labourdette 20’
Study No. 393 (2007)
bassoon solo and live electronics
8’40
Error 90/91 (2008-09)
Music for a video clip on YouTube. Collaboration with studemts of John Lennon High School, Berlin-Mitte, Enrico Stolzenburg (director), Andreas Rochholl (film, producer) 4’01
http://www.youtube.com/watch?v=kc998WASXBE
Gesang an die Welt (2010)
on a poem by George Grosz from the year 1918
recitation & alto clarinet in Eb 11’
Echo3 (2011)
four percussionists playing stainless steel sculptures by Klaus Gündchen 14’50
Modulare Einlassung (2010-11)
Violin, modular synthesizers, and step sequencer 20’00
Study
No. 539 (2008/11)
für Fagott und Live-Elektronik
KfVumS – Komposition für Violine und modulare Synthesizer (2010-11)
unpublished
early works
arrangements